2005-2009 IOHIO Festivals
SEVENTH INTERNATIONAL ORGAN AND EARLY MUSIC FESTIVAL
OAXACA, MEXICO
February 18-23, 2009
Sometimes our work may lead to aspects of Oaxaca history and culture which are only indirectly related to the organs, but may be important enough to highlight during our festivals. The second theme of this year’s festival concerns the contents of two wooden trunks discovered in the choir loft of the San Bartolo church during a visit by the IOHIO in 2001 to register the organ. The trunks were full of religious books and manuscripts dating from the early 18th century, as well as religious and popular band music from the 19th and early 20th century.
The oldest books were from the Dominican evangelizing center in Santo Domingo Nejapa, located in southeastern Oaxaca, and one of them was backed with three pieces of deerskin from a pre-hispanic codex, the first discovered in this area of Mexico. The music from the manuscripts is largely vocal—Gregorian chant and polyphony, with some verses in Zapotec—and provides a rare glimpse into a period of Dominican evangelizing in Oaxaca when the composition and transmission of sacred music was of the highest priority. These documents were brought to San Bartolomé Yautepeque, as the town was known in colonial times, by the musician, Domingo Flores, native of San Bartolo, and there they remained for nearly 300 years.
In 2007, the authorities of San Bartolo Yautepec permitted the IOHIO and the Francisco de Burgoa Library to disseminate the information through conferences and concerts during the Seventh IOHIO Festival and the original documents to be brought to Oaxaca for restoration and analysis. Thanks to their support of our project, festival participants had the opportunity to hear this unknown music in two concerts after centuries of silence.
CONCERTS
February 18 – Víctor Contreras (Mexico), Basílica de la Soledad
February 19 – Nadia Ortega, soprano, Sandi Schwarz, violin, and José Suárez, organ (Mexico), Oaxaca Cathedral
February 20 – Capilla Virreinal de la Nueva España directed by Aurelio Tello, Santo Domingo Cultural Center, including some of the polyphonic works from the Domingo Flores manuscript.
February 21 – Capilla Virreinal de la Nueva España directed by Aurelio Tello, Santa María de la Natividad Tamazulapan
February 21 – José Suárez, Barbara Owen, Laura Carrasco, Luigi Ferdinando Tagliavini, Cicely Winter, organ, with Sandi Schwarz, violin, San Andrés Zautla
February 22 – Luigi Ferdinando Tagliavini, San Jerónimo Tlacochahuaya “Spanish, Mexican, and Italian Music in parallel”
MASTER CLASSES & RELATED ACTIVITES
February 18, 19 – Luigi Ferdinando Tagliavini, “Early Italian keyboard music”, particularly works by Girolamo Frescobaldi, San Jerónimo Tlacochahuaya
February 20 – Talks by Cicely Winter, Fray Eugenio Martín Torres, Javier Urcid and Sebastian van Doesburg, Sergio Navarrete, and Aurelio Tello
February 20 – Exhibit: “Los Baúles de Yautepec,” María Isabel Grañen Porrúa, director, Francisco de Burgoa Library
February 20 – Presentation of band music discovered in San Barolo Yautepec by the Region Mixe ("RM") band from Santa María Tlahuitoltepec (Mixe).
EXCURSION TO SAN BARTOLO YAUTEPEC
February 23 – Several vans full of adventurous festival participants made the trek to the community, a three-hour drive from Oaxaca City. As we neared the entrance to the town, we were surprised to see a delegation of the municipal authorities, along with the local band and dancers in traditional costume, waiting to formally receive us. After the town president and the IOHIO director had exchanged words of welcome and appreciation, everyone marched along behind the band, accompanied by the whooshes and bangs of the firecrackers, to the atrium of the church. We filed up to the choir loft to see the organ, which most people in the community had never seen up close, and then feasted on local delicacies in the atrium of the church. A group of young people presented a traditional pre-nuptial dance, very special to the community, which had been revived and rehearsed for the occasion. The girls had sought out the traditional wrap around skirts, no longer used, among the elderly women in order to complete their costume. This was a unique opportunity for the participants to experience the traditional culture and generosity of a Oaxacan village.
SIXTH INTERNATIONAL ORGAN AND EARLY MUSIC FESTIVAL
OAXACA, MEXICO
November 8-13, 2007
CONCERTS
November 8 – Bernard Brauchli (Switzerland), Oaxaca Cathedral
November 9 – Rafael Cárdenas, organ, Roberto Rivadeneyra, violin, Alan Durbecq, cello, Michael Samford, trumpet, Guadalupe Jiménez, soprano. (Mexico), Basílica de la Soledad
November 10 – Kimberly Marshall, organ, Ensemble Rivadenera, Durbecq, Samford, Jiménez, Rafael Cárdenas, director, Santa María de la Natividad Tamazulapan
November 10 – Ensemble Rivadenera, Durbecq, Samford, Jiménez, Rafael Cárdenas, organ and harpsichord, San Andrés Zautla
November 11 – Bernard Brauchli, clavichord, Biblioteca Francisco de Burgoa, presented on two clavichords built by Juan Luis García Orozco in Mexico City
November 11 – Kimberly Marshall, San Jerónimo Tlacochahuaya
November 12 – Rodrigo Treviño, Víctor Contreras (Mexico), Santa María Tlaxiaco
MASTER CLASSES & RELATED ACTIVITIES
November 8, 9 – Kimberly Marshall, San Jerónimo Tlacochahuaya (Master Class)
November 9 – Exhibit “El arte y los libros de música,” María Isabel Grañen Porrúa, Biblioteca Francisco de Burgoa
November 11 – Bernard Brauchli, demonstration lecture about clavichords
FIFTH INTERNATIONAL ORGAN AND EARLY MUSIC FESTIVAL
OAXACA, MEXICO
November 10-13, 2005
This year a conference was organized in conjunction with the Fifth Festival on the theme of “Music in the Convents of Mexico.” The impulse was the publication of a manuscript from the Archives of the Oaxaca Cathedral, “Cuaderno de Tonos de Maitines de Sor Ma. Clara del Santísimo Sacramento” (“Notebook of Psalm Tones for Matins of Sister María Clara of the Most Sacred Sacrament,” edited by Calvert Johnson).
The notebook consists of 58 pages of organ music compiled by a nun in the early-19th century and probably composed by her grandfather or uncle around 1800. Its publication opens a window into the world of convents and their music in colonial Mexico (New Spain). The conference included lectures by musicologists and related specialists, visits to former convents, and performances of some of the verses from the Sor María Clara notebook. (see Publications)
CONCERTS
November 10 – Calvert Johnson (USA), Oaxaca Cathedral
November 11 – Luisa Morales, harpsichord, and Cristobal Salvador, Spanish traditional dance (Spain), Santo Domingo Cultural Center
November 12 – Roberto Oropeza, (Mexico), Santo Domingo Yanhuitlán
November 12 – Laura Carrasco, organ, and Ludwig Carrasco, baroque violin (Mexico), San Andrés Zautla
November 13 – José Suárez, organ (Mexico), and Josep Cabré, baritone (Spain), San Jerónimo Tlacochahuaya
CONFERENCE
November 10
Book presentation – “Cuaderno de Tonos de Maitines de Sor María Clara del Santísimo Sacramento”, Calvert Johnson, editor (Wayne Leupold Publishing Company)
Aurelio Tello – “Nun composers and keyboard music in New Spain”
Nuria Salazar (INAH, México). “Music and Choir in the Jesús María Convent”
Ricardo Rodys – “Who was Sor María Clara del Santísimo Sacramento?”
November 11
Anne Staples – “The Daily Business of Living in a Convent” (Oaxaca Municipal Building)
Calvert Johnson – The Interpretation of the Music in the Sor María Clara Notebook” (Francisco de Burgoa Library)
Luisa Morales – “Secular keyboard music from the archives of the convent of San Pedro de las Dueñas, León, Castilla”
Luis Lledías (México) – “Organ and Harpsichord Music in the Schools for Girls in New Spain: A Study of Teaching Methods and Repertoire”
RELATED ACTIVITIES
Exhibit – “Music and Feminine Spirituality” María Isabel Grañen Porrúa, Director of the Burgoa Library
November 11, 13 – Visits to the ex-convents of La Soledad, San José, and Santa Catalina (Hotel Camino Real) with Rubén Vasconcelos Beltrán, official historian of the city of Oaxaca
November 13 – Workshop on Spanish traditional dance from the 18th century bolero school, Cristobal Salvador (Museo de Filatelia de Oaxaca)